The Movable Buffet

Dispatches from Las Vegas
by Richard Abowitz

Category: vegas conventions

Vegas wins with tattoos for soccer moms

October 8, 2009 |  1:40 pm

TattooConvention3

Tattoo artist Mario Barth was expecting a huge number of people, perhaps as many as 25,000, to attend the convention he organized for this past weekend at the plush casino Mandalay Bay (the resort connected to a Four Seasons).

 
Mandalay Bay is not coincidentally where Barth opened an outpost of his own Starlight Tattoo chain last year. So bringing his annual tattoo convention to Vegas (in the past New Jersey was home to the gathering) was a natural to move. Expecting bigger numbers in Vegas than he had in Jersey, Barth optimistically billed the convention as the “The Biggest Tattoo Show on Earth.” When it ended, official announced attendance in fact topped out at 40,000. Barth is hoping to get the convention certified as the largest ever by Guinness.
 
Barth wants everyone who still thinks of tattoos as primarily the domain of subcultures like bikers, sailors and Gothed-out punk rockers to know things have changed. “For 30 years we have been trying to go mainstream, and that has finally happened where people know this as an art. And the number of people in the general public getting tattoos is enormous,” Barth says. 
 
That was the main driver to deciding to both open his first shop outside New Jersey and bringing his convention from Jersey to Mandalay Bay. “The past five years the numbers have become so big for both tattooing and the convention that New Jersey was maxed out. We had to bring it to Vegas to get it to the next level: more credibility, more exposure and a place where the general public feels secure.” Barth says. “Now it is everyone who wants a tattoo. It is no longer a subculture where you have to be a biker. Our main tattoo customer in Vegas is a soccer mom. It is seen now as individual expression and fashion. The buyer is the general public. ”
 
John Huntington, who owns what is currently called Huntington Ink at the Palms, which opened under another name in 2004 and was the first tattoo parlor in a casino in Vegas, agrees with Barth’s timeline crediting the television reality show “Inked” on A&E that covered his planned parlor and incipient dramas (and the subsequent name changes) from 2004 to '07. “I think the TV show really helped. The demographic changed so much since the show hit. My first customer this morning was a 69-year-old lady who loved the show. I made a place comfortable for everyone that looked high-end and cool. That is what the clientele at the Palms wanted to see. That is what the country wanted to see.” And Huntington thinks casino executives noticed something else about the business from his television show: “Tattoo shops make a lot of money, and that was something people saw on the show. We have incredible profit margins, and the recession hasn’t hurt us one bit.”
 
There are tattoo parlors in Vegas casinos ranging from the Hard Rock to O’Shea’s. Two shops are owned by Motley Crue singer Vince Neil, who opened his first parlor on the Strip four years ago. Neil also sees Vegas as the perfect stage to present tattooing to mainstream America. “Our main customers are not necessarily Motley Crue fans. It is everyone who walks down the Strip, which is everyone.” Not that celebrity doesn’t play a part in what is driving the mainstream acceptance of tattooing. And Neil isn’t the only celebrity connected to a tattoo parlor in Vegas. Chester Bennington of the band Linkin Park is partner in a tattoo parlor that opened at Planet Hollywood’s mall this year. Neil says, “Every celebrity on TMZ and everyone on a reality show has a tattoo, and everyone else mimics their idols.” Neil says he plans to open more tattoo parlors around the country.
 
And while Huntinging credits the cable show with having pushed things along, he admits he had already seen the change coming in 2004. “The stigma was already gone. I was seeing tattoos on all the girls and all the guys I know. And I wanted to be the first one on the bandwagon.”
 
Barth thinks there is another reason tattoo parlors and casinos have proven such a good fit: “People know casinos are safe. We built it very open to fit in Mandalay Bay. There are no closed doors. The soccer mom can feel at every moment safe, secure and in a healthy environment.”
 

Barth plans to open his next project in Vegas at the Mirage by New Year’s Eve. “We are building the highest-end studio ever built. It looks like a baroque castle.” And in the Vegas Mannerist tradition this will not be a mere tattoo parlor but a mix of a tattoo parlor and what he calls an ultralounge. “You can go in hang out, have drink and get a tattoo. It is a great concept.”

And as the ultralounge name suggests, tattooing has gone not only mainstream but has surprisingly developed a luxury niche. Barth, for example, has a two-year waiting list for clients who pay a minimum of $10,000 up to where some of his work he can command hundreds of thousands of dollars to perform.  “They are buying a Mario Barth. Ninety percent of my customers you would call luxury customers. They are buying on the name. They are not buying a tattoo anymore. They are buying a piece of art. It is very exclusive, and they know it. CEOs reach out to us.”

In fact, accompanying Barth one day on the floor of the convention was friend and client Sylvester Stallone. He noted that the day before he had done work on singer Usher. Tommy Lee is another friend and client. “Tattoos take time to do. You talk a lot. It is like with a hair dresser. You get to know people.”

Photo: Sylvester Stallone, left, and Mario Barth. Credit: Sarah Gerke.

 

Christina Aguilera first sets the mood and then sells bling

June 1, 2009 | 10:38 am

2009052919_14_47010585

Last week was a busy week and a story I put a lot of time into fell apart. That happens sometimes. And, as I was frantically looking for things to write, I sent a hasty e-mail in response to a press release requesting an interview with Christina Aguilera, who was making some sort of hosting appearance Friday night at Tao at Venetian. Imagine my surprise when the answer came back: "Yes."

This being Vegas, I should have looked at once for the strings and stared into the mouth of that gift horse. I would not have had to look far. Advertisements for Aguilera's appearance at Tao on Friday gave her  second billing to Stephen Webster, a famous jewelry designer. And, in fact, had I read the advertisement, in slightly smaller font but still  in pretty big print, I would have seen quite clearly that the event was to "celebrate the launch of the 2009 collections by Stephen Webster."  A little homework would have told me that there was a huge jewelry convention going on in Vegas. Aguilera was at Tao to have a private dinner and then host that evening at the club to impress jewelry buyers and industry insiders using her fame to push the product line. It worked too. With national as well as local media, Aguilera's presence brought coverage usually not afforded trade shows in Vegas. Or, as the talkative Stephen Webster put it: "The biggest jewelry show in America is going on now. Everyone launches new products here. It is not so much about Las Vegas as it is about this show is in this city and that is why we do our events here." That is a pity to a blogger who covers Vegas.

My interview was set for five minutes, and I was told Aguilera would only do interviews alongside  Webster. But as these things happen, by the time I was brought back to Aguilera in her private dining room at Tao, everything was running late. I was told I would be allowed to ask only one question that did not relate to jewelry and that question would be the sign: After she answered, the interview was over. The public-relations people were not quite that strict, but with everyone hovering nervously, the conversation between us lasted a little more than three minutes before she had to end it. I did not get a chance to ask her about her ownership steak in LAX at Luxor, which I am very curious to hear her view on. But I am guessing she would have expertly said nothing. Asked about Eminem's new disc, she expressed no knowledge of it. Asked about her own disc that may be coming out this year, she claimed to have made no decision about the title. The most interesting aspect of her music-making process that came up is that she uses a mood board to help plan albums. Do you think Bob Dylan has done it that way?

Of course, this mood-board thing came up,  unsurprisingly, because the mood board was the connection between this untitled Aguilera disc and Stephan Webster's jewelry line. "I am not part of the design; I am merely the face," Aguilera told me. Then she clarified: "What actually happens is that I give him the direction I am going with my next album. My last album had a vintage, retro, glam appeal. And this next album which I am almost finished and am about to release has a very modern sense about it."

Webster added: "A year ago, I was at Christina's house, and she was showing me her mood boards for her new album; this was before any recording was done. I am quite good at looking at a mood board and understanding what the vibe is going to be about. I then go off and do my jewelry design and she goes off and does her album. But what you have is the same starting point. So, it works."

"Right," Aguilera agreed. Asked the mood of the new disc, she added: "Futuristic in terms of looking into the future and giving it a new twist and a new sensibility." How do you give a new twist to a future that hasn't happened yet? Aguilera explained: "I am working with a lot of electro artists to make that come alive. That is what really inspires me at the moment. And what is great is that I interpret it in my musical way and he interprets in his jewelry way." 

With that, everyone started signaling it was time for me to leave, but Webster wanted to add one thing:

"The other night, I was fortunate enough to listen to Christina's new album, and the next day, I e-mailed Christina about one track for the name of a jewelry line. But that really is the way we collaborate with each other."

After the brief interview, Aguilera posed for a photo with Webster (of course). Then the two of them hit the red carpet for a few minutes before returning to the dining room to eat. The expert skill the duo displayed for staying on message about jewelry would make them the envy of any politician.  At the end of the red carpet, I saw Robin Leach ready to interview Aguilera, but the tiny singer vanished under his arm, which was extended, holding out a tape recorder. Instead, Leach was left to talk jewelry with Webster.

So, if you want to know what Christina Aguilera's new disc will sound like, check out the bling on these two. After all, both spring from the same mood board.

Photo: Sarah Gerke


Are conventions in Vegas now 'toxic'?

February 11, 2009 |  9:12 am

Venetian Last Friday CNN reported on a convention taking place this week at the Venetian for a group called the American Securitization Forum. In a voice-over, the correspondent offered this on the attendees:

"They'll huddle here at the five-star Venetian on the Vegas Strip, where gondolas float beneath $300-a-night rooms, hobnobbing with government officials, doing business deals, trying to plug leaks in an industry that's been kept afloat by government bailouts."

I was dubious and challenged the $300 price by going to the Venetian site and finding rooms in some cases for $145, less than half of that CNN price quote. I tried, without success, to reach CNN to find out where the $300 number came from.

Today, the Review-Journal makes a similar point in a front page story that takes on the CNN report. The Review-Journal notes of the CNN story: "The report cited '$300 hotel rooms,' as an example of extravagance, even though rooms at The Venetian are actually going for $189 per night on Las Vegas hotel-booking Web sites." The Review-Journal makes no note of any effort they may have made to reach  CNN to find out where the cable news network got that $300-a-night number.

The reason the emphasis on the extravagance of Vegas is so touchy locally right now is that, in general, the convention planners and experts I have spoken to see us as a value-conscious destination for a meeting in the overwhelming majority of cases. It is cheap to travel here, the resorts compete against each other to steal conventions by giving out good deals, and our meeting facilities are among the most extraordinary in the world. Vegas can also accommodate any size group: from the massive Consumer Electronics Show to something as small as a family reunion. Finally, Vegas has a focus lacking at other destinations: Vacations and conventions are pretty much what this city specializes in doing well.  In short, for most groups, Las Vegas should be a cheaper place as well as a better-equipped place to hold a convention than rivals like San Francisco, New York, San Diego, Dallas and Chicago.

But, as I have noted before, the pricing reality about Vegas is being totally undermined by the perception of Vegas as too extravagant for a responsible company to hold a meeting in this economy. As Phil Cooper of Encore Productions is quoted in the Review-Journal saying about the CNN report: "They are trying to make it out that Las Vegas has become this toxic city you can't even go to."

Meanwhile, I was called by CNN who explained to me where the infuriating $300-a-night number in their report came from. While all the Vegas press, including the Review-Journal and I, were looking at the travel and resort sites, CNN went to the convention site for the American Securitization Forum and found clearly written: "The ASF group rate at The Venetian & Palazzo Resorts is $319 per night plus applicable taxes."

In fact, the pricing turns out to be more complicated than that. After repeating that $319 a night number a lot, another number appears buried in the final paragraph on room pricing:

"Discounted rooms at The Venetian & Palazzo Resorts are available to qualified registered ASF member investors (a maximum of three individuals per firm), who may reserve a room at the discounted rate of $219 per night, for up to five nights, if available. Investors must be registered for the conference and also be employees of an ASF member firm in order to receive a discounted hotel room."

Obviously if you attend a convention for an organization you are already registered for the convention. And probably you are also from firms that are members of the organization holding the conference. Also many rooms at the Venetian have two beds and other ways to accommodate more than one person. So, despite the $319-a-night listing, in reality many attendees probably paid only $219. Or, if they just went on the Web outside the convention special, they could have gotten an even lower price as the Review-Journal did. I think it is fair to say that the pricing was opaque to figure out.

So at this point I think it is time to stop blaming the media in general and, in this case, CNN  in particular, as that cable network clearly made a good-faith effort to get the number right. The resort and the convention made it confusing.

In fact, this example shows how the perception that Vegas is outrageously expensive and for top-tier extravagance only has been nurtured and fostered by the resorts. Why? The resorts want you to think that you have a bargain price and value. You are getting a $319 room and paying only $219. But even that $219 is a bit much when compared with lower rates online. There are  also multiple packages that include discounted rooms along with, say, airfare. So the higher the official rate for a room, the more wiggle room for the wide range of coded packages and discounts the resorts are constantly putting together and sending out to anyone who registers on their sites. 

The complexity of room rates is one of the sciences of Vegas. But the philosophy behind it plays out throughout Vegas culture. Show tickets are another example. Except for most Cirque shows and major headliners, face ticket pricing for production shows on the Strip is outrageously beyond what any remotely savvy tourist pays. A little effort will turn up two-for-one coupons halving the cost, or free tickets to a hotel's show will come with the room. Dinner and show packages are also common. The result should be a customer who feels he or she has gotten a real bargain at every step when in reality everyone gets some sort of deal and almost no one pays face value.

This tactic of fronting inflated prices to create a sense that people have received a deal is what is hurting Vegas now so badly. The media cannot be blamed for quoting list prices even if locals know that list prices are not what things really cost.

I think now is the time to start announcing openly how cheaply rooms can be had in Vegas, as well as promoting honesty in pricing of show tickets. Otherwise, I think Las Vegas really might become a  "toxic city" for convention business. Vegas needs to do more than offer bargains, but actually front-and-center how cheaply things can be had here right now.

On Monday night, Goldman Sachs Group pulled out of a three-day meeting at Mandalay Bay set for later this month. They are holding the convention instead in San Francisco. There is this chilling moment in the AP story on the cancellation that is very revealing:

A Mandalay Bay official, who requested anonymity because he was not authorized to release customer information, said the bank agreed to pay the hotel $600,000 to cancel its reservation.

Goldman spokesman Ed Canaday confirmed the conference move to the Associated Press on Monday night but could not comment on the cancellation charge.

Canaday said he did not know whether the company was saving money or spending more with the move.

"That's not the driving reason behind it," Canaday told the AP.

"The decision to relocate the conference is based on our best efforts to operate according to the requirements of the new landscape of our industry," Canaday said.

If I get this right, Goldman Sachs would rather spend more money paying Mandalay Bay to cancel and then book a San Francisco hotel, than come to Vegas now. In other words, the issue is no longer about the best place to hold a cost-effective meeting, but the perception that a meeting in Vegas on its face is wasteful spending, whereas spending even more to go to San Francisco can sidestep the controversy --  even if getting that to happen requires meeting the very definition of wasteful spending (paying for the same convention essentially twice).

Vegas had better be quick and proactive in reminding people that our convention business and facilities are meant to be affordable or we are in for some grim times from a wound that is increasingly looking self-inflicted.

Photo: The Venetian, Las Vegas. Credit: Sarah Gerke


Honestly, CNN! A $300 hotel room?

February 9, 2009 | 11:42 am

Venetian Recently, I wrote about the canceled Wells Fargo trip to Vegas that was trashed by many in the media as an example of banker excess. In that item, I worried  "that there is now a perception that a business trip to Vegas represents an excessive expense to a company."

I also pointed out the reality:

"The truth is that Vegas has never been a cheaper place to hold a meeting. A fiscally responsible company head could and should bring an event here. You can comparison shop among the best convention facilities in the country, and Vegas resorts are adept at accommodating the needs of all sorts of groups."

I concluded: "But that reality will not matter in the face of perception. And Vegas once again must remind people in a big way of what once was obvious to all: This town is meant to be a bargain destination."

Anyway, I watched a segment on CNN's Anderson Cooper over the weekend called "Keeping Them Honest" where a different convention of bankers in Vegas was under scrutiny.  In one segment, a voice-over says of the bankers:

"They'll huddle here at the five-star Venetian on the Vegas Strip, where gondolas float beneath $300-a-night rooms, hobnobbing with government officials, doing business deals, trying to plug leaks in an industry that's been kept afloat by government bailouts."

The report goes on to quote a congressman as saying just one night stay at the Venetian is about a third of the monthly mortgage payment in his hometown of Baltimore.

And this was just about when I felt the need for a reality check. The Venetian site is currently offering rooms starting at $145 (less than half the price noted on CNN). Checking different dates on the Venetian site, I can find suites far under $300 almost every night. I failed to find any nights at $300 or over. I am not saying there are not busy times of year when room rates shoot up to $300 at the Venetian. But in this economy? Doubtful. And, CNN is right about the luxury rooms at the Venetian. They are amazing. That is what a bargain is all about. Right now, rooms are going for less than $300 almost everywhere on the Strip almost every night, the Venetian included. Room prices adjust down quickly in Vegas. Plus, conventions often buy rooms in bulk so rooms are generally discounted.

So, why did CNN use the $300 number? I have put in a couple of phone calls and e-mails to the network but haven't gotten a reply yet.  I hope I do. Because giving such a room price makes Vegas look pricier than it is, and the Venetian in particular has worked hard to court convention business.

Again, I think Vegas has a lot of work to do to remind people that a convention held here has always been meant to be an affordable experience or these stories quoting over-the-top prices will do real damage to Vegas' convention business, a key to the Strip's future.

Photo: Sarah Gerke


Defending the nixed Wells Fargo Vegas trip

February 5, 2009 |  9:57 am

Wynn Two headlines in the Review-Journal side by side Wednesday helped make the point of just how perilous the economy is right now in Vegas: "Wells Fargo defends, then cancels junket," and "Wynn resorts to cut staff hours, bonuses to avoid layoffs."

The headlines tell the story. And, if you follow the national press, you know the outrage the Wells Fargo story generated when, after taking bailout money, it was discovered the company planned an event at Wynn's properties on the Strip over 12 days, including a four-day sales conference.

Of course, that means the Wells Fargo employees did not come to the union casinos and spend money in their usual way. Their usual way of doing business has changed. And, if too many other companies follow, the implications for Vegas could be horrifying.

A lot of what concerns me about this story is how Vegas is perceived.  At one time, the country would be outraged because of the frivolous nature of Vegas for a retreat and the unlikelihood that anyone would come here to discuss work. I am sure there is still some of that. But. in fact. Vegas has done a good job in getting the message out that we can hold serious conventions, business meetings, conferences and retreats. The resort convention and meeting facilities are top-notch here, and they also tend to be set off a bit from the resorts' gambling, shopping and nightclubs. The convention centers are their own little world. And except for walking to your room, you can avoid the other side of Vegas while attending a work event here, if you are so inclined. You really can come to Las Vegas and work. And I think people by and large get that. So I don't think the Wells Fargo outrage was a work/play issue (or at least not entirely), and that is what concerns me. Play certainly was part of the issue. Wells Fargo took billions in government bailout money and, yes, this trip seemed at least as much play as work being dedicated in part to employee "recognition."

Still, the thing that struck me about the coverage is the sense in the national media that Vegas is now  clearly seen as a luxury destination and not as a bargain vacation. The outrage was not mitigated by the fact that another reason Vegas is such a popular convention destination is that it is relatively cheap, even compared to less glamorous places like, say, Albany (and, who would have cared if Wells Fargo employees were sent to upstate New York?). Groups have the ability to negotiate low group room rates and airfares and other incentives to make a retreat, junket, meeting or convention affordable in Vegas. The fact that rooms at Wynn are very expensive was quoted in almost every story on the Wells Fargo imbroglio. But I doubt that Wells Fargo was paying anything like the individual, totally discount-free room rate. No one does who has a computer. And groups do even better when it comes to getting discounts. Also, Wells Fargo claimed that it had real business to transact, the kind Vegas is great at, having acquired Wachovia and wanting to use Vegas to have the two corporate cultures get to know each other better while learning to work together. At least that was part of Wells Fargo's tortured explanation for the trip. I wish they had mentioned instead that they negotiated with a few casinos on the Strip and got a good deal on rooms from Wynn; if these were good sales employees, they should have. But Wells Fargo made no effort to defend Vegas as a bargain compared to past trips, like going to the Bahamas for a private Jimmy Buffett concert. The word bargain was not at all in Wells Fargo's strategy for defending the Vegas trip to the public.

Anyway, my deeper worry is that there is now a perception that a business trip to Vegas represents an excessive expense to a company. Could that view spread outside recipients of bailout funds? Will company heads begin to think about answering to boards and stockholders when OKing the Vegas conference?

The truth is that Vegas has never been a cheaper place to hold a meeting. A fiscally responsible company head could and should bring an event here. You can comparison shop among the best convention facilities in the country, and Vegas resorts are adept at accommodating the needs of all sorts of groups.  But that reality will not matter in the face of perception. And Vegas once again must remind people in a big way of what once was obvious to all: This town is meant to be a bargain destination.

The message that Vegas is a bargain obviously did not get through to anyone discussing the Wells Fargo situation.

Photo: Sarah Gerke


Can Star Trek convention continue mission without Experience?

August 11, 2008 | 10:39 am
20080809_9601 I first saw Bill Lyons, 50, and his wife Pam Lyons, 54, (pictured) dragging a suitcase behind them like any tourists going to a convention. I decided to follow them because I thought they would lead me to the convention I was covering. I did not say to them "I am from Earth. Take me to your leader." But maybe I should have.

Bill Lyons says: "We like the attention we get when we are in costume."

They are both dressed as otherworldly characters from the movie "Star Trek: Insurrection."  Pam Lyons tells me "My character doesn't have a name. I am a skin-stretching specialist." The movie came out in 1998. That was the year Star Trek: The Experience opened at the Las Vegas Hilton. Since then the franchise has fallen on hard times. There has only been one movie since then and the last television show ended in 2005. That is not the future but ancient history in Vegas, and the next "Star Trek" movie is not scheduled to come out until 2009. Vegas is not a town with patience.

By 2009 the convention will have to take place without what has come to be known informally as the Star Trek Experience ride, and the bar Quark's next door that has become a hangout for convention attendees. Both are closing at the end of the month. On Sept. 1, one of the most successful tourist rides in Vegas history will be "decommissioned" after more than a decade, twice as long as the USS Enterprise's five-year mission on the original series. The Star Trek convention in Vegas has lasted even longer. But it grew from a small affair at places like the Plaza downtown to a convention that attracted thousands with the arrival of the Experience. For a couple of years the convention and the ride were at different casinos. But inevitably the two proved a perfect complement after the convention moved to the Hilton. So perfect I wondered what impact closing the ride would have on the annual convention.
In fact, I was curious about the age factor of Trekkies in general. Has the time of "Star Trek" fans passed like the days when Foghat's music packed stadiums and every city of a certain size had a theater with a weekend midnight showing of "The Rocky Horror Picture Show"?

Gary Berman, co-chief executive officer for the convention, says absolutely not. He estimated that the average age of the attendees this year was people in their late 40s. This is a perfect demographic for a casino. And Berman knows that: "When we came to the Hilton about five years ago they discovered our people gamble and have fun, and buy good food." He estimates attendance this year at 10,000 to 13,000. The convention is contracted to be at the Hilton next year too. Even though the ride is closed, Berman expects similar attendance or more, because of rekindled interest and new fans brought by the release of the next movie.

"I don't know after that," Berman said about staying at the Hilton. "Next year we will have the movie. And the convention has been coming to Las Vegas long before the Experience." So, there will be a Star Trek convention.  As to other possible homes in Vegas, Berman says it is too early to speculate. Most of the casinos that used to host the old Star Trek convention, such as the Hacienda, are no longer standing. Berman thinks that, in the end, the enduring popularity of "Star Trek" will win out, and the convention will retain its draw in Vegas, if not at its current location. And any convention capable of drawing more than 10,000 people will have resorts bidding for its business.

But not every longtime fan is content to return to Vegas for another convention without the ride that has become such a part of going each year. In the food court, friends and convention attendees Mitchell Johnson, Lawrence D. DeSoto and Diane Diamond (pictured) were not so sure they would be back next year. 
20080809_9027 According to DeSoto, 34, who was dressed as a resident of the planet Bajor and had been at this convention six times before: "Vegas is nice, but what made this convention special was the Experience. Honestly, without the Experience everybody is thinking of not going next year and saving money for Comic-Con in San Diego. Star Trek will be at Comic-Con. But for this convention, everyone meets at Quark's or goes shopping between the two. You can take pictures that look like we are on Deep Space Nine. But without the Experience, well, I am heavily doubting that I am coming next year.  Comic-Con is much bigger and you have to be conscious of the cost."

His friend Diamond adds, "This (the Star Trek Experience) makes the difference between a good and great Con experience. It is not going to be the same without the ride. Everyone here is saying that."

On the other hand, slightly older fans like the Lyonses have no intention of one less ride altering their fun. Bill Lyons says: "It is sad to lose the ride. But we will probably be back next year." As for the years after that, "We are hoping to get our grandchildren interested in 'Star Trek.' "   (Photos by Sarah Gerke)

Of God and a Beatle: talking to a Muse

June 27, 2008 | 10:58 am
PattieboydOne of her husbands was called God in popular graffiti and the other was a Beatle. Maybe you don't recognize the name Pattie Boyd. But you certainly know the songs written about her. They include the Beatles' "Something" and Eric Clapton's "Wonderful Tonight" and "Layla" not just the song, but the entire beautiful blues album of anguish and guitar duels.
 
Boyd, who was married first to George Harrison and later to Eric Clapton, will be in Las Vegas Sunday-Tuesday for a convention of Beatles fans making its second appearance at the Mirage. 
 
I can't resist asking her, "How long in any interview with you does it take for the word 'muse' to come up?"

Boyd chuckles: "Right, that little word. Well, artists and creative people have had muses all through history. They bounce ideas off that person."
 
 
For Boyd this trip will mark the first time in years  she has been to Vegas and only her second trip ("I hear it has changed a lot."). She was not invited when the Beatles played Vegas in 1964. "In those days wives and girlfriends were not allowed to travel with the band."

This is also only her second convention with American fans of the group she spent so much time with in the '60s. Her first Beatles convention was in New Jersey recently, and she was overwhelmed: "I had no idea a Beatles convention would be so important and would pull in so many fans. I mean the entire hotel was filled with Beatles fans and playing Beatles music. For me it was the most bizarre thing to have encountered. They were mainly from my age group and they were so happy to meet me."'

OK, but when George Harrison was having the Beatles record a song about how special she was or when Eric Clapton ripped his heart out in need for her on "Layla and Other Assorted Love Songs," didn't she feel something extraordinary was happening around her?

"No, I wasn't, I wasn't." She then starts again: "I was not sitting around thinking how lucky I am though I did  think it was wonderful. It is a bigger issue now than it was years ago."

And, what made Boyd's role  in music history a far bigger deal to her were the fans she met, like the ones coming to the convention in Vegas.

"Until three or four years ago I had no idea anyone knew of me or even remembered me."

"Were you living in isolation?" I  ask. Pattie Boyd has been a name revered in music geek history my entire life.

"I lived a very quiet life in the English countryside. I was really quite surprised a few years ago when my sister-in-law pointed out there were all these Pattie Boyd websites. And I was shocked that there was all this information out there."

Boyd had been approached by publishers about a memoir for years. But until that point she had not realized just how thoroughly her story had been told and by so many sources. She decided to finally tell her version of her story (which includes Mick Jagger striking out with her, but a dalliance with another Rolling Stone), and she inked a big publishing deal. Her memoirs came out last August along with exposure for her photographs from back in the day. Now, at the convention fans can buy her book and get her to sign it. One report said she signed 850 books at the New Jersey convention. Boyd is not sure the exact number of books but: "I signed so many last time my hand stopped."

As for her fondest memory of being with the Beatles, she picks the spiritual retreat to India 40 years ago. 

"In those days they did everything together. They were very united as a group of people. Brian Epstein, the Beatles' manager, died. They were just like the rug had been pulled out from under them. They did not know what to do. The view was the meditation would really help them. We all went. It was good that we went, because it allowed us to learn so much there. But they knew when they went back to England they were going to have to be businessmen for the first time, in addition to musicians. They were going to have make proper decisions. This responsibility had never been placed on them. Brian would do everything. It was almost like the last time they could be together for only spiritual and musical purposes." (courtesy photo)
 
 
 
 
 
 
 
 
 
 

Burlesque queens gather at the Palms

June 11, 2008 | 10:39 am
20080606_4478 This weekend the Palms Ghost Bar played host to the annual Exotic World Weekend, which is connected to the Burlesque Hall of Fame. I dropped by the Ghost Bar for the 50th Annual Striptease Reunion Showcase.

I chatted briefly with Tura Satana (right, with "reigning queen of burlesque" Immodesty Blaize). To the men with well-shined shoes and the many Bettie Page-styled women present, Satana is an icon for her role as Varla in Russ Meyer's  "Faster, Pussycat! Kill! Kill!."

Blaize's "reigning queen" title would be up for grabs the following night. I asked Blaize what life was like for a professional burlesque dancer in 2008; Is there still enough interest to make a career out of performances that offer striptease? According to Blaize, "It is a fantastic time. It is even more full of diamonds and feathers than it was before. This is my full-time job and has been for the last decade. I am totally busy and have my first novel coming out. They say write about what you know, so there will be some showgirl secrets in there."

Satana, on the other hand, seemed surprised by the continuing interest in her film work, especially honors for movies like  "Faster, Pussycat!." "No, I did not think it would even go past a year," she says of that legendary film.  "All of the sudden it just keeps going and going and picks up new fans every year. I think it is because we show a woman can be sexy and tough as hell too."
Satana pointed out that, aside from film roles, she has a long history as a burlesque dancer in Vegas. "I used to dance here all the time at the Silver Slipper. And then I danced at the Dunes as a headliner."

(Photo by Sarah Gerke)

Vegas start-up taps into CES

January 9, 2008 | 10:29 am
Img_7005 CES, the Consumer Electronics Show, is about the big companies that come here from the world over. The largest television screens and the latest gadgets are now being reported on by the international media with a Las Vegas dateline. Last night I watched as one local start-up company tried to tap into that tremendous media opportunity.
Deep Rock Drive was created about 18 months ago by Jeff Henshaw (a veteran of Microsoft, where he was executive producer of its Xbox digital entertainment initiative) and Danny Socolof (a music industry veteran who has worked deals for bands from the Who to Led Zeppelin). The company is hoping to create a site around music fans by wedding social networking and interactivity to the concert experience. So, for example, fans watching online can select camera angles or send comments or requests to the band, whose members can see the feedback on screens surrounding the stage. Members can also vote on which bands perform.
Last night, Deep Rock Drive sent two shuttles to CES to take bloggers and journalists to see a concert by the Maine, an Arizona band getting attention on MySpace. It must have been strange for the out-of-towners as the shuttles turned down the tiny street leading to the Palms' parking garage but then went right past the glitzy casino to instead park at a tiny cluster of buildings a few feet away, just behind the resort, where the road dead-ends. This is the home of Deep Rock Drive. The offices are in one building, and across the driveway is the studio where bands perform.
Henshaw explained Deep Rock Drive's approach to CES: "Having CES here helps us get the word out to the tech people.The CES plan is that we are bringing some of the influential bloggers and press who will be here for the convention. We are then going to make a live performance out of the press briefing."
I asked them if it was hard to be an Internet start-up in the Las Vegas Valley rather than Silicon Valley. Socolof replied: "Las Vegas has a culture that allows people with big ideas to get a chance. You get a chance here. Also, Las Vegas is the entertainment capital of the world, and we are looking to bring new life and possibilities to the concert business. This is a great town for that."

(Photo by Sarah Gereke)


MAGIC: parties you won't be at

August 28, 2007 |  4:51 pm
Labor Day weekend belongs to the nightclub scene with not one but two new clubs opening.
I will have a sneak peek of both clubs here on the Buffet later this week. Tomorrow I am getting an advance tour of LAX at Luxor. Then Wynn is letting media get a peek at Blush on Friday. Later that evening, it's showtime: back to LAX for the opening and Britney-mania (hers or the crowd's mania, yet to be determined).
But this week in Vegas is already hugely busy at this moment because of the MAGIC convention taking place at the Las Vegas Convention Center right now. 120,000 people were expected for this fashion convention that is best known not for its size but for its elite private parties, thrown by big-name celebrities who are marketing their own clothing lines.
No name is too big. A few years ago, I caught Eminem doing a private concert at the Venetian for clothing retailers to tout his clothing line. Every morning during MAGIC my in-box is filled with press releases like this one: "Paris Hilton held a private cocktail party in the Social House lounge to unveil her new Denim and Sportswear line." In fact, much of what is going on in Vegas right now is not open to the public.


Advertisement

About the Bloggers

Recent Comments


Categories


Recent Posts
Movable Buffet: Final entry |  November 4, 2009, 1:05 pm »
Photos from Fangoria: Trinity of Terrors |  November 1, 2009, 8:45 am »
Oops, I am a tourist (and it's expensive) |  October 31, 2009, 10:00 am »
Fright Dome: Huge haunted houses at Circus Circus |  October 30, 2009, 11:47 am »

Archives