The Movable Buffet

Dispatches from Las Vegas
by Richard Abowitz

Category: vegas concert

Mariah Carey toasts gay couple during onstage Vegas proposal

October 12, 2009 | 11:35 am


Gay marriage isn't legal in Nevada, although domestic partnerships were recently approved. But divas make their own law.

Plus, there's nothing to stop you from proposing while in Vegas.

In this really charming video from Saturday night at the Pearl at the Palms, Mariah Carey's views on gay marriage are apparent -- and they're nothing like those expressed by Miss California Carrie Prejean at Planet Hollywood during the Miss USA contest earlier this year.

UPDATE: I just spoke by phone to Maurie Sherman, 31, of Toronto who proposes in this video to his now-fiance, Mathew Almeida. Gay marriage is legal where they live, and so they will in fact be married. "I wish we could have married in Las Vegas. I think Las Vegas would make a lot of money from allowing [gay] marriage," Sherman said. Many locals and casino companies would agree with that assessment. But Nevada has a "Defense of Marriage Act" passed by voters from the entire state, not just Las Vegas.

 

Anyway, I asked Sherman what his hook-up was to arrange his on stage proposal at Saturday night's Mariah Carey concert at the Palms. He did not have one. According to Sherman, he spent six months working to arrange what you see in the clip, and he bombarded everyone from the Palms to Perez Hilton, until he finally got the ear of Mariah Carey's management company. And, even then, nothing was for sure:

 

"I worked as hard as I can to make it happen. Everyone loved the idea. But no one made promises. I did not find out until five minutes before the concert started. Her security came over and talked to me. 'I think we are going to do this. And, I think it will be during the show on stage.'  I did not know before that moment. But I came prepared. I dressed nicely and brought the candy ring in my pocket and made sure it didn't break. Mathew had no idea. Please let me add thanks to Mariah for doing it."


The new Joint opens with the Killers

April 21, 2009 |  1:41 pm
HecrowdatthegrandopeningofTheJointatHardRockHotel&Casino

This weekend the new Joint at the Hard Rock opened. It is twice the size and more than twice as good as the old Joint. The sound is a the most obvious improvement. It is a more than respectable sounding concert venue. And, from the general admission floor to the VIP boxes, the venue is designed to maximize great sight lines. The stage is also fantastic, allowing for theatrical elements (light shows, pyrotechnics, backdrops) that would normally never fit into a stage at a venue that has a capacity of around 4,000.

The opening weekend included the Killers, Avenged Sevenfold and Paul McCartney. This continues the Joint's tradition of putting performers on stage who usually play much bigger venues.

The real debut headliner on the opening night, Friday, was the Killers. As a local band that rarely does local shows, they were a great choice. I don't argue that. But I am so sick of people seeing the Killers as a metaphor for Las Vegas. This is only partly because they are a mediocre band with some hit singles and crowd pleasers, most of which reside on their debut, "Hot Fuss," a record which they have yet to either live up to ("Day & Age") or successfully grow beyond ("Sam's Town").

Far from anything Vegas, I thought while watching them, the Killers seem closer to a British '80s band, maybe starting out as Duran Duran and currently in their Morrissey phase. Not that there are not similarities between the band and city. Yes, The Killers and Las Vegas both glory in the fake, disposable, theatrical and entertaining. But the clean living, spiritual questing and sentimental triteness of the Killers do not resonate in Vegas at all. The truth is that if My Chemical Romance (also dramatic, theatrical and over the top) were from Vegas, critics would call them quintessentially Vegas, whereas I guess the Killers would then be expressing the soul of New Jersey.

Anyone else think a woo-woo dance version of Joy Division's morbid "Shadowplay" was a good idea?

On the subject of silly questions: "Are we human or are we dancer?" What does it mean? My guess: Brandon Flowers probably just wasn't able to come up with another lyric that had a rhyme match to "answer." If only lyrics could be assisted by Pro-Tools or click tracks.

Anyway, as the biggest band to ever emerge from Vegas, the Killers were both the obvious and the perfect choice to open the new Joint. It is great to have a venue worthy of the headliners the Hard Rock has brought to Vegas in the past. The photos of those shows (the Rolling Stones, Neil Young, the Who) are proudly displayed all over the new Joint. (Photo of Brandon Flowers courtesy of the Hard Rock)


A quick chat with Patrick Stump of Fall Out Boy

April 3, 2009 | 10:18 am

Fob

Fall Out Boy return to Vegas to play the Pearl at Palms on Sunday night.

When Patrick Stump greets me on the phone, I say, "Is this Pete?"

He is good-natured about the mistake. He is used to it.

Still, in Vegas his band's connection to celebrity culture is more visible than most stops on a Fall Out Boy tour. With bandmate Pete Wentz being married to Ashlee Simpson, Stump sees a clear line between Fall Out Boy's success and celebrity notoriety:

"I don't feel that I am part of celebrity culture, though I know I am a periphery character. I am around them sometimes."

He does not have to define who he means by "them."

"It is weird. But I don't know that it has affected us that much. The only thing I notice is the personal nature of some questions. I read interviews with bands that aren't in the celebrity sphere and I envy that. They get to talk about the mechanics of music, and that is why I am here is because of that."

Here is how Stump experiences Las Vegas:

"I am a mellow guy on tour. Vegas means a lot of hotel time and working on music. But I remember one time on my way to bed I saw our former tour manager playing at a table with a big smile on his face. When I came down in the morning he was standing at the same table with a frown on his face. One time they gave us a suite with a bowling alley. I came into the room and it was total insanity. I got my computer and left."

Since he spends so much time on the road, I wondered if he thought being part of the online generation of rock stars made touring less lonely, less "Turn the Page:"

"I wonder about that. Everyone is connected, but in this very impersonal way. No one has any mystery to their lives. They are electing not to have any secrets, because everyone goes onto whatever social networking thing. I never did any of it. All my friends are on it. I was something of a Luddite before I had my laptop. And, by modern terms I am not particularly computer savvy. I am on Wikipedia all the time. But I don't know if this makes people less lonely or more lonely. You have a couple hundred MySpace friends. But you don't know any of them personally. There is an idea of connection but it is a flimsy connection between yourself in the rest of the world when you are just Twittering people. I am not saying those things aren't cool. But you can't rely exclusively on that."

I was curious about how Fall Out Boy, a band he has been in since a teen, has attempted to capture growing up in its music:

"I think it [our music] got a lot more honest. Not that it wasn't honest before. But when you start out you are emulating people. When I started singing I was trying to sing like other people. As a guitar player, I was just trying to play. But as time goes on you find out who you are, and you find your place. You also find out what  has really influenced your stuff. I was surprised what an influence as a guitar player Prince and the Time were on me, and as a singer Sam Cooke. I am not saying I am anywhere near as good as them, but that is where I get it from. And, what makes you more honest is you lose your fear of showing yourself. " (Courtesy photo)


A brief talk with David Johansen

March 5, 2008 | 12:14 pm
Interviewing singer David Johansen by phone was fun. But he was suffering from serious tour fatigue, and  I don't really know how much of an item I can get out of the conversation for the Buffet.

Johansen opened with, "Give me a little background. First off, where am I?" All I knew was the singer was somewhere on tour with the Dolls. "No, really, I am trying to figure it out myself. I am looking and it says Cleveland Water Division across the street. So, I guess I am in Cleveland. So, we are playing where?"

On March 8, the New York Dolls will be playing the reunited band's second show in Las Vegas. In the surreal world of today's Vegas, the first gig was a private party to celebrate Blue Man Group's move to the Venetian. So, the Saturday appearance at downtown venue Jillian's will be the band's first public show in Vegas since re-forming in 2004.

As for if the original New York Dolls (when members like guitarist Johnny Thunders, drummer Billy Murcia, his replacement on drums Jerry Nolan and bassist Arthur Kane were alive) ever made it to Vegas during their glory years in the '70s?

According to Johansen, "No, I don't think so. But God knows."

Goes to show, you can't wrap your arms round a memory; don't try.


'Tomorrow don't make a story about me'

January 4, 2008 |  3:24 pm
According to the Las Vegas Sun, Iranian singer Dariush Eghbali delivered some shocking words in Farsi to 5,000 Persian American concertgoers in Vegas over Christmas weekend while performing at Planet Hollywood.

Apparently, attempting to quote Khalil Gibran, Eghbali, who lives in Paris and Los Angeles, referred to the Jews of the world as the embodiment of "mochareb." The Sun reports that many concertgoers (including Farsi-speaking Jews) took this word to mean "destroyers" and were offended, but that mochareb "also can mean demolisher, aggressor or a person who ruins," which seems just as offensive.

Some fans considered the comments to be anti-Semitic and others tell the Sun the singer's more innocent meaning has been lost in translation.

One hint on intent: The Sun reports that after making the comment, Eghbali told the audience that the words were Gibran's and said, "Tomorrow don't make a story about me."

Concerts in Vegas

October 30, 2007 |  3:26 pm
At Vegoose I ran into a local concert promoter. For decades he has been doing shows in Vegas. Obviously, festivals are different, pulling audiences and bands off the Strip to a field. Those are dedicated bands and fans.
 
On the other hand, the concerts we were discussing were the ones on the Strip. Almost every concert tour that hits Vegas will charge more for a ticket here than at any other stop on the tour. See Billy Joel in Vegas next month and the top tickets are close to $200, but at the previous stop in Oakland top tickets are under $100. (The cheapest seats in Vegas are around $100 after taxes and convenience charge.) This is the economics of supply and demand, of course. But what is interesting is that the audiences are rarely getting a better concert for their money. In fact, the opposite is true. "No band comes to Vegas to play the show of their lives," the promoter said. That is so true. Most bands come to Vegas to enjoy the night like anyone else. Slash recently told me the only time he was too drunk to play on stage with Velvet Revolver was a Vegas concert. Anyone surprised? That was a New Year's Eve show, and scalped tickets were going for a fortune. But that is standard for a Vegas show. The audience goes all out and the band..... Well, Vegas is the night the drummer does too many drugs, or the bass player is more focused on finding a groupie than playing a note and the singer wants to get off stage to start gambling. I have seen some horrendous shows with bands clearly enjoying too much Vegas before taking the stage. Yet, prices for Vegas concerts remain more expensive than for almost any destination in the United States.
 
I suggest catch the cheaper concert by your favorite band in your hometown. Instead, see a production show in Vegas during your time here. That is the entertainment meant for Vegas nights and fits perfectly into the experience. Seeing the Rolling Stones in Vegas may sound great on paper, but you will spend a fortune to get a ticket and, if you are a big enough fan, discover that the bootleg of a generic show in Toledo is likely to be the night of better music, at half the price.

Strip's top spots to rock

August 16, 2007 | 10:57 am
Yesterday, at LasVegasWeekly.com  I waxed on the legacy of Elvis in Vegas. Many wish he would have performed real rock like during the Sun years here, instead of a more traditional Vegas show (quick medleys of his signature songs, covers of the day's hits, and lots of bombast). Yet, during the '70s, the Vegas resort corridor was not known as a home for rock music. There was a long history, too. Elvis first played here in 1956 and bombed with a rock show. The Beatles were not invited to play at any casino in 1964. So, their one Vegas concert  took place off-Strip.  A rowdy Deep Purple concert, which grew large and mythic in local legend, around the time Elvis came back to Vegas in 1969 also kept the city leaders and resort owners suspicious of rock music. For years there were plenty of petty ordinances to keep concerts away from Vegas, even as rock bands toured the rest of the nation. Only the Grateful Dead (again playing off-Strip) bothered to include Vegas as a regular tour stop. For many years the Aladdin Theatre (now Planet Hollywood) was the only venue on the Strip that routinely booked touring rock bands. All of that changed with the opening of the Hard Rock  in 1995. This was followed by House of Blues at Mandalay Bay in 1999 (opening night performer: Bob Dylan). As the Boomers have become the customer base of Vegas, these days politicians get caught accepting  tickets to see the Rolling Stones concert at MGM and not trying to ban the Glimmer Twins from Vegas (that is what Gangsta rap is for!). It is hard to imagine a better town for tourists to see rock music right now than Vegas. Certainly, in the headliner category, we have nothing harder than Elton John. But almost every night now there is a rock show going on for tourists who don't crave a lounge act but want real bands. Here is my list of the top venues for live rock music in Vegas:
1. The Pearl at the Palms: I have so far only seen one concert there, Tool (a band I like only a little bit, to be honest). But I left a fan of The Pearl. It is one of the best concert venues in the United States. And, I have been around. The sound  and sight lines are unbelievable. This is easily the best place in Vegas to see a concert. If only there were more concerts worth seeing! So, far the lineup of shows at Pearl has been far less impressive than the theater. The Pearl has brought back too-familiar faces like Gwen Stefani, Evanescence, REO Speedwagon and Goo Goo Dolls. Upcoming: Kid Rock, Hilary Duff and Maroon 5. Yawn.
Continue reading »

Vegoose bands announced

July 24, 2007 |  8:33 am
Vegoose The  annual musical festival Vegoose's lineup has been announced for this year. The concert weekend takes place in the area of Sam Boyd Stadium on October 27-28. Unlike the earlier two Vegoose festivals that rested on a foundation of jam bands, this year is focusing on far harder acts. Rumors that Rage Against the Machine would be among the headliners proved accurate. Also, Iggy & the Stooges will be performing their classic disc "Fun House" in its entirety. The Stooges in Vegas. How bizarre is that? I can't even imagine a Las Vegas audience taking in "L.A. Blues," the screaming, squawking climax of Fun House.  Other big names include Queens of the Stone Age, Daft Punk, Cypress Hill and Public Enemy. Among the lesser known groups (at least lesser known to Las Vegas' audiences), let me get out front and push Blonde Redhead and Gogol Bordello -- two personal favorites.

This lineup will easily make Vegoose the highlight concert event this year in Las Vegas. On the other hand, there really is no competition;  Vegoose is the only major festival outdoor concert weekend that takes place here annually. That may seem surprising for the Entertainment Capital of the World. But I've been told by members of some major groups that the greatest part of the Vegas market is that the resorts pay bands so well for concerts; many big groups therefore would rather come play Vegas on their own.  Of course, a clear exception to that rule would be the politically charged Rage Against the Machine for whom Vegoose is a perfect fit. (photo by Sarah Gerke)

Vegoose returns

June 14, 2007 |  9:06 am
Vegoose Yesterday, I was writing on the Buffet about how this time of year is slow in Vegas. Summer, in general, reduces our visitor counts, I think, because of the heat. Summer is the time of year resorts traditionally change carpet and do other routine maintenance and renovation. 
 
But the slowest time of year in Las Vegas, by far, starts around Thanksgiving and lasts until Christmas. Vegas isn't meant for all of those holidays that center on sharing, caring, family and giving selflessly. But Halloween (when the temperatures are lovely)  has never been a big holiday in Vegas either. That has always surprised me. Yet, the new Vegas abhors a visitor vacuum, and three years ago the Vegoose musical festival debuted to great success. Taking place away from the resort corridor, Vegoose was a weekend that mixed experimental, punk, and hip-hop with the major emphasis on jam bands. In fact, so successful was the first Vegoose that people from Southern California arrived in droves for it along with the strong local turnout.  By day people were in the fields of Henderson, Nevada (near Sam Boyd stadium) and at night you could see them in their festival shirts back on the Strip for hotel rooms, evening concerts and gambling. In short, Vegoose was a perfect fit for Halloween in Sin City.
 
But last year something faltered. The second day of the concert for Vegoose 2 in particular had a noticeably tiny audience. The lineup was much weaker, too, than the first year. One problem was that a lot of the band's on the sequel, like Tom Petty and Heartbreakers, were already veterans playing this town and didn't require a special trip to stand in field in Vegas. Aren't Tom Petty fans a little old for a field? Anyway, I am not at all saying that the festival was a total belly flop. Cat Power was amazing and the Raconteurs worth seeing.  There were many highlights. Still, none of the artists included the sort of names that would bring people to Vegas in droves. There were no must see reunions or rare performances. But from the impersonators' wedding chapel to the gigantic pumpkin there was a perfect melding of festival culture and Las Vegas. You could be a hippie by day and a high roller at night.
 
Still, the numbers on last year. And, in particular, the refusal of Vegoose to say specifically how many people showed up for the second day, left me worried that this wonderful event had reached its end game. One thing I learned about Las Vegas early is that you need deep pockets to be ahead of the market. This town will grow to accept a lot of things. This town keeps growing, too.  But particularly doing something a little different, you need time to reach an audience, to learn how to market something new in Vegas. All that happens slowly here. Yet the money to get there spends quickly.
 
 
People know what they love doing in Vegas already. They have firm ideas. So, it takes time for them to figure into their lives a new Vegas possibility no matter how exciting. In the case of Vegoose, an outdoor port-a-potty affair concert by day, yet, instead of camping, a return for a night of the Strip; well, I think ultimately this is a winning formula. But after the way Vegoose ended last year, I was not sure if the festival would be able to survive long enough to reap a reward for being so farseeing. Happily, I got the press release less than an hour ago that Vegoose will be back October 27-28. Also, there will now be a "Vegoose at Night" officially connected to venues around the Strip starting October 26. Good move. No word, yet, on lineup but I will let you know as soon as I hear.  (photo by Sarah Gerke)

Lauryn Hill concert?

April 10, 2007 |  9:59 am
Laurynhill_gz84jykeLike Charlie Brown and the football, it appears Lauryn Hill fans will get another chance to be disappointed by the Grammy Award winner. It was just two months ago that Hill kept an audience at Rio waiting all night, and into the next morning before canceling her concert. My colleague at Las Vegas Weekly, Spencer Patterson, was there for the fiasco. That concert was never rescheduled. But yesterday Red Rock Resort (a Station casino) announced a booking for a Lauryn Hill concert on June 30. Good luck to all involved.
 
photo by GLENN KOENIG/LAT


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