The Movable Buffet: Dispatches from Las Vegas by Richard Abowitz

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Britney lackluster in Vegas

10:27 AM PT, May 7 2007
Philosophically, I am very interested in Nevada's journalism shield law. But as an entertainment reporter, I really don't invoke it that often (ever). I was curious though how the journalism shield law would apply when a manager at the House of Blues last night was screaming in my face that I could either give the camera to him or Metro Police would come take the camera from me. Can that happen? Was he bluffing? I lied. I denied having a camera. I tried to surreptitiously slip the camera into another pocket while looking the manager direct in the eye like a magician once taught me. NothingImg_3302 worked, and the Britney Spears show was plodding on in front of me. I was missing the show. I had no picture, and clearly was not going to get one. So, I  decided on the practical route. I gave him the camera. Any guy who manages a music venue deserved better than I was treating him, but if ever there was a concert more about a picture than the music...Handing the camera over symbolized failure. I failed.
 
Some effort had gone into the process of smuggling the tiny camera into the House of Blues. They required every last cell phone or camera to be checked at the door for this concert. I was prepared. I had a decoy camera that I willingly gave up at the entrance. All part of the plan. Meanwhile, I had a spy and myself observe the entrance protocol and found the security guard who was laziest with his wand and most perfunctory in his checks. So, after some consideration, I placed the camera in my sock and picked the line with the security guard who had the work ethic I wanted. The plan worked; I got to my seat at the M&M's concert with a tiny key chain camera. I wasn't the only one. I ran into Robin Leach who gave up two cameras on his way into House of Blues while still managing to smuggle a third into the show. His date also got a cell phone camera inside. The woman sitting next to me had a cell phone camera she smuggled in her bra. And, the entire time Britney was on stage, fans on the floor were holding up cell phones and cameras to take pictures. So, check the Internet and I am sure you will find plenty of photos of Britney in Vegas at House of Blues. Sadly, none from me.
 
This was actually my first attempt to smuggle a camera into a show in the history of my life in Vegas. Usually concerts are about what you hear. But Britney Spears is no longer a musical phenomenon in any way, shape or form. No one in the line to get into the concert was wondering what songs she would perform, if she would premiere new material, or even offer a fresh musical direction? When I suggested she might use the intimate venue to offer an unplugged set, there was general snickering. In fact, the entire waiting line was discussing questions about her appearance, her weight and, of course, her hair. The story was the picture. What will Britney look like? The answer: she looked good. She shook and danced and revealed her not fat belly. Her back-up dancers were smoother with the moves, but the star held her own.
 
 
The show happened in a flash. After over an hour of a bland DJ,  what Las Vegas got was identical to what has been reported in other cities throughout these distinctly odd shows;  Britney Spears with backup dancers moved her lips to canned music and stale choreography. She rushed through a few abbreviated hits (with some minor technical glitches) and all of this happened quicker than a Jesus and Mary Chain concert.
 
Still, on the way out, audience members did not act or sound cheated or dissatisfied. The Internet had given fair warning what to expect.  A couple people were even emotional at having seen Britney in person. There were tears of excitement. This was the loyal of the loyal. It reminded me of the emotion Michael Jackson generates among his most dedicated fans. Britney has developed that loyalty level from her core fans, and her travails have only enhanced their all embracing and obviously, non-judgmental, love. But, as in the case of Michael Jackson, that audience is not enough to stay at the top as a pop star. A very short time ago, Britney Spears was seen as the heir to Madonna and, it is worth noting, that despite the M&M's veneer, the word was out that Britney Spears was performing this night and still this show was nowhere near sold out at the tiny House of Blues.  At the same resort, Britney Spears' onetime peer Christina Aguilera, on March 3 packed the many times larger Mandalay Bay Events Center. So, the lackluster attendance and minimal performance of Spears at House of Blues only underlines how far her career has fallen of late. Hardly, the start of a comeback.
 
Of course, Britney  remains a very famous celebrity. She certainly can still pack them into  nightclubs like Pure or Tao, where 15 minute honorary frolicking, like the recycled tripe she offered last night at House of Blues, is customary. Paris Hilton does something similar at nightclubs. It is all about being seen and adding to the party when you show up at a nightclub. But that is not why people at House of Blues go to a concert, and that is why you would not expect to see Paris perform at House of Blues.
 
I admit, Britney Spears is only one hit away from being back on top. But moments like last night show a star far from ready for that day. Last night she appeared on stage again, yes, but without anything to offer her fast fading fan base other than nostalgia (and very few minutes of that), a sad reality for someone still in her twenties.
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"One hit from being back on top"...Richard, puh-leeze. The tide is turning...Mark my words, from American Idol to Britney Spears, cheese music is going out for a few years. The biggest news on AI was some idiot with weird hair. Taylor Who? Even Clay Gayken has disappeared. Kelly Clarkson? One hit wonder. Remember the Boy Bands? No one else does either. I can't wait for the Spice Girls to fall flat on their faces.
Enough of the You Tube generation are growing up and demanding real talent. Of course, I have no proof for this...just an eternal 'glass is half full' outlook that says commercial music can't possibly stay this sh*tty forever.

On a more important note...the story within the story has nothing to do with Britney Spears; it has to do with why you are taking pictures...and I noticed the optically focused Sarah Gerke actually commented on the Josephine Baker blog,. Are we witness to some sort of role reversal here? You with the handy cam and Sarah with digi pen?

Signed,

Conspiracy Karl

Richard - thanks for sparing us another picture of that overcooked manatee. I prefer the photo you used. Her reps are trying to control the buzz, of course. Please tell me it's not too early for her to retire and move to Fort Lauderdale.

Hi Karl. Thanks as always for reading. No mystery regarding Sarah Gerke. No photographers were allowed into Britney Spears last night, and no review tickets were made available to the press. So, I paid for a ticket, and I took on this adventure alone. As to her comment, Sarah Gerke is free to comment whenever she feels the urge to do so. She has commented a few times on this blog as a person with an opinion sometimes different from mine. As always, she remains the Buffet's photographer of choice. Yrs., Richard

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